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I master of my domain
I master of my domain










  1. I MASTER OF MY DOMAIN MOVIE
  2. I MASTER OF MY DOMAIN FULL

Next came the signature gun, which this time was a over/under shotgun with a. With shows like Richard Diamond and Peter Gunn drawing good ratings, making your cowboy hero a detective seemed like a good ploy. actually three gimmicks.įirst, instead of being a rancher, or a sheriff, a bounty hunter, or a gambler - Slade was a private detective in the old west. Like many of the other westerns that year, Shotgun Slade had a gimmick.

I MASTER OF MY DOMAIN MOVIE

In 1959, Scott Brady ( brother of actors Lawrence Tierney and Edward Tierney) took on the role of Shotgun Slade, which ran for 2 years and 78 episodes.Īfter starting out in poverty row movies, Brady had managed to carve a respectable career as a leading man in movie westerns and assorted TV dramas, appearing in many anthology series of the 1950s.

i master of my domain

It was nicknamed the `mare’s leg’ because of its substantial kick. Perhaps most famous ( and certainly the most coveted by my 6-year-old playmates) was the Mare’s leg sawed off rifle carried by Steve McQueen in Wanted: Dead or Alive. Don Durant as Johnny Ringo, carried French designed LeMat twin barreled revolver, that could fire a single 16 gauge shotgun shell in addition to. In The Rifleman, Chuck Connors carried a modified Winchester Model 1892 rifle, tricked out to rapid fire. With such a large field of similar shows, producers went out of their way to give their production a ` signature’, something to set it apart from the crowd. While still going strong, westerns were beginning to lose out to more modern and `hip’ dramas like Johnny Staccato, 77 Sunset Strip, and Hawaiian Eye. There were a record 26 different westerns playing each week on the tube at the end the 1950s, and that year three of them made the top 10 list ( Gunsmoke, Wagon Train, Have Gun, Will Travel).Ī pretty good showing, but actually a decline from the previous year, when 7 of the top 10 shows were westerns. I’ve recently had the opportunity to check out a website that offers the entire production run of the CBSRMT series along with plot descriptions of each episode.Ĭlick on the image below to visit this fan supported site:Īlthough you wouldn’t know it by today’s cop – forensic investigation - medical drama cornering of the market in television drama, in 1959 westerns were the number one genre for prime time TV.

i master of my domain

Himan Brown, a genuine legend due to his 65 year career in radio, is reputed to have produced more than 30,000 episodes of radio shows, including: Barrie Craig, Bulldog Drummond, The Inner Sanctum, Dick Tracy, Flash Gordon, along with numerous daytime soap operas. While many performers graced the sound stage over the years, a number of `regulars’ could be heard including Fred Gwynne, Kevin McCarthy, Celeste Holm, Keir Dullea, Mason Adams, Mercedes McCambridge, John Lithgow, and Tony Roberts.

i master of my domain

You’ll find murder, horror, science fiction, and even historical dramas in the mix. The series featured original stories along with retellings of classic works.

I MASTER OF MY DOMAIN FULL

Not only did it awaken an interest in old radio for for me, when I began collecting OTR ( old time radio) shows in earnest in the early 1990s, getting the full collection of CBSRMT shows was high on my list. Marshall, starting in 1974 ( and running until 1982) CBSRMT produced 1399 45-minute episodes.įor this child born of the TV age, suddenly having an ongoing source of quality radio drama was an unexpected delight. But in the mid-1970s CBS radio began a highly successful revival of the radio drama, called CBS Radio Mystery Theatre.Ĭreated, directed, and produced by Himan Brown, and hosted by E. Well, not until my early teens when I managed to get my hands on a couple of LPs with old radio shows on them.

i master of my domain

I knew who Fibber McGee and Molly were, and The Shadow, and had heard the story from my folks about Orson Welles' War of the Worlds Broadcast, but I hadn’t actually heard them. Although I grew up hearing tales of old-time radio from my parents, for this child born in the mid-1950s, the golden age of radio had already passed by the time I could care.












I master of my domain